Theme: Huang Zhiwei and Cao Chi's joint exhibition of pottery and porcelain

Venue: Guozhong Ceramic Art Museum

Content:

Host: Ladies and gentlemen, leaders. The opening ceremony of Huang Zhiwei and Cao Chi's joint exhibition of pottery and porcelain is about to begin. Next, let’s invite Mr. Huangshan, President of the World Handicraft Council, Vice President and Secretary General of China Arts and Crafts Association to preside over the opening ceremony of this activity.

Wang Shan: Distinguished guests and colleagues in the industry, good morning!

I would like to thank the organizer and our two outstanding artists for their trust in me. On behalf of China Arts and Crafts Association, I would like to preside over the opening ceremony of this exhibition. Now I declare that the exhibition of Huang Zhiwei's "Line Plastic" Art of Ceramic Sculpture and the exhibition of Cao Chi Modern Porcelain Painting Art will begin.

First of all, please allow me to introduce all the guests who are here today. They are Mr. Tao Xiaonian, vice president of China Light Industry Federation and president of China Arts and Crafts Society.

Former President of China Arts and Crafts Association......

The former deputy director of the State Administration of Cultural Heritage, the former president of the China Collectors Association...

Vice President and Secretary General of the Chinese People's Institute of Foreign Affairs...

Ms. Zhang Hong, vice president of China Arts and Crafts Association and vice general manager of China Arts and Crafts Group!

The former Deputy Director of the Publicity Bureau of the Propaganda Department of the CPC...

Ms. Bai Tao, Director of Guangdong Town Collective Association;

Former President of China National Arts and Crafts Import and Export Corporation......

Secretary of the Party Leadership Group and Secretary General of the China Youth Entrepreneurship and Employment Foundation of the CPC Central Committee...

Former Vice President of China Society of Arts and Crafts......

Mr. Li Jie, chairman of Beijing Gongmei Group and vice president of China Arts and Crafts Association;

China National Economic and Cultural Development Association Vice Chairman Shen......

Secretary General of China Ceramic Industry Association......

Director of the Chinese Collectors Association and Ceramic Collection Committee......

President of Guangdong Province Arts and Crafts Association, Vice President of China Arts and Crafts Association...

President of Guangdong Society of Arts and Crafts......

President of China Global Entrepreneur Magazine...

Today is full of distinguished guests, there are many guests, so we will not introduce the units and the list below. After I finished reading, we all promised to thank them for their coming with applause.

Chief consultant of China Cultural Relics Factory, Glass Factory and Antique Art Factory

Guangdong Erqing Collective Group Arts and Crafts Division......

We would like to extend our warm welcome and heartfelt thanks to the above-mentioned distinguished guests.

Below to introduce the exhibition's largest support unit, also is our hosts, and the provider, the pavilion, Beijing ocean investment group chairman of the board of directors of the company, Mr. Zheng Zhi thank Mr. Zheng for the exhibitions and academic BBS provides such a good venue, finally we have grand launch of the exhibition of the two senior artist. They are Huang Zhiwei, a master of Chinese ceramic art, and Ms. Cao Chi, a researcher of Chinese ceramic artists.

First of all, let's welcome Mr. Zheng Zhi, the representative of China Ceramic Museum.

Zheng Zhi: Honorable President Tao, President Yang, Director General Yan, leaders, distinguished guests, friends from the media, good morning!

Today we are holding the ceramic art exhibition and academic research of Huang Zhiwei and Cao Chi in the Ceramic Art Museum of China High School. On behalf of Sino-Ocean Investment Group and the Ceramic Art Museum of China High School, I would like to extend my warm welcome and heartfelt thanks to all the distinguished guests present.

At the same time, I also on behalf of all of a familiar old friend, old experts, Zhang Shouzhi. Mr. Zhang is our China ceramic art museum curator. He had to be present with you today to take part in the activity, but two days before he pulled a muscle in the hospital, pulled a muscle, so he has repeatedly asked me to give you my old friend on his behalf greetings. I'd like to welcome you all and thank you.

I would also like to express my special thanks to the Chinese Arts and Crafts Association, the Chinese Collectors Association, and the Guangdong Arts and Crafts Association for their great support to this event.

In ceramic hall is a pavilion, ocean subordinate ever since it opened the pavilion has been uphold the vigorously promote the ceramic culture, so in ceramic art, promote the development of ceramic art prosperity for the purpose, taking the art of the first-class ceramics experts and scholars both at home and academic research, thinking and cultural exchange is an important place. Over the years our group here for more than thirty million a year, free of support in the field of ceramic artists exhibitions and academic research, under the strong support of social from all walks of life, we have held including ceramic, Liu Tao committee and so on many high level, high exhibitions and academic study, got the high attention and high praise from all walks of life.

The exhibition, is a profound family background master of China ceramic art, a French artist association chairman (XX) is the first Chinese disciple, their ceramic art, distinctive in bold innovation, on the basis of traditional sparkling, they even show this time, must give you a different visual feast. Thank you again for coming to the Ceramic Art Museum of GIC. I wish this event a complete success. Thank you all.

Wang Shan: This exhibition is actually two outstanding artists, and it's also very interesting. These two masters, one male and one female, so it can be said that one female and the other female are brilliant ceramics. Now let's welcome our creator, Mr. Huang Zhiwei, to speak a few words on the stage.

Huang Zhiwei: Cao Chi and I have been very moved since we started preparing, because we have held so many solo exhibitions with different guests and organizers. I think this is probably the most moved exhibition I have ever held. Why should I be moved? Today, especially today, I have seen so many national guests, leaders and experts come to support our exhibition, so of course I am very moved.

Because of this move, I would like to thank, first of all, my family, the second I would like to thank the host, China Arts and Crafts Association, and thank our China Committee, as well as Guangdong Expo Center Ceramics, China Ceramics, Guangdong Arts and Crafts Association, leaders and guests for their support.

In particular, I would like to thank Zheng and all the curators for their great efforts and hard work. Our activity was moved to the front of people again, and they paid a lot of hard work, which is also very grateful.

This exhibition is also the first time, it is pottery and porcelain, a very perfect combination, it is also the first time that I prepared the exhibition with teacher Cao Chi, it is also the first time that I displayed a collection of works in Beijing, so I am really very moved, and thank you very much for your strong support.

This time I come and exhibition is also put me on some of the most representative works. Our GIC is such an academic platform, I think this is also a strong support for our art, so I am very moved, but also very grateful to them.

Finally, thank you for your presence, please give more valuable advice, thank you.

Wang Shan: Now let's invite Ms. Cao Chi to give us a speech on the exhibition.

CAO CHI: Distinguished leaders, distinguished guests, experts, scholars and collectors, good morning!

This can be held in Beijing such a high standard of an exhibition, is an academic non-commercial exhibition, after the time is not long, at the invitation of Beijing Ocean Group Chairman Zheng Zhi, we discussed many times, this 联袂展 has paid a lot of effort. First of all, I would like to thank Mr. Zheng and the staff of the Ceramic Art Museum of China for their strong support and help to our work during this period of time. Thank you very much.

I would like to thank our China Arts and Crafts Association, Guangdong Arts and Crafts Association, China Collotors, China Antiques Network, numerous magazines, Global Entrepreneur Magazine, China Economic Magazine, Youth Employment and Entrepreneurship Fund of the Central Youth League, and the leaders of Guangdong Province in all aspects. The arts and crafts association and the association of Guangdong province for this exhibition we gave strong support, help and encouragement, and all the way from Shenzhen, from Shanghai, and Guangzhou are flown, among these experts and scholars to come over, including our arts and crafts society, etc. These leadership, from yesterday to today, see the list are very touched. So again I want to thank you very much.

In 2013, Huang Zhiwei and I had a lot of fate. In May 2013, Huang Zhiwei had an exhibition in Guangdong Provincial Museum, and after he finished, I had an exhibition in Guangdong Provincial Museum. We participated in the exhibition at the same time, and we had some understanding of our respective works. At the invitation of Mr. Zheng, this is the first time for us to hold a high-level exhibition in Beijing. Previously, my exhibitions were commercial exhibitions, so more experts came this time. I hope you can give me some opinions and suggestions on my works.

I am a soldier, from the traditional Chinese painting, oil painting to ceramic painting, deeply in love with over 20 years ago ceramic painting, dedicated all his love to the ceramic painting, learn more and more deep, think ceramic is too strong, true is too shallow, haven't learn many things, learn more and more deep, more learn more feel the taste, why did you choose ceramic, because it is the quintessence of China. It was invented in China. The charm of ceramics lies in the fact that it contains the profound culture and connotation of China for thousands of years. As I personally, think I Cao Chi could be Cao Ci (Ci is "porcelain" in Chinese). It is my lifelong goal and pursuit of artistic creation to be associated with ceramics. I combine modern ceramics with western culture and art on the basis of tradition, so that my ceramics can be innovated. I have been in the army for so many years before, so I have been studying silently in this industry. This time, I met so many experts, and I think I will have a longer road of learning in the future. Besides, I have been given advice by everyone.

So while being moved, thanks to the media. There's a lot of media here today. The president of the Economic Daily is here specially. The media of our antiques network and Guangdong satellite TV are very grateful for your hard work, praise and report on us. Thank you very much. Thank you.

Finally, Miss Zhang Guozhen is my teacher. We got on very well with each other years ago, and he passed away last year. I always use a poem to express my thanks when I have an art exhibition.

Thank you

When I come to you,

I just want a ray of spring breeze,

But you gave me the whole spring;

When I come to you,

I only hold a wave,

But you gave me the whole ocean;

When I come to you

I just want to pick one

But you gave the whole thing

When I come to you

I just want to kiss a snowflake

But you have given me the silver medal of the world

 Thank you for your attention.

Wang Shan: Two artists have expressed their feelings, Ms. Cao Chi seems more passion and also there's a certain romance. Their work is consistent with what they say. It is still for the leaders, experts and scholars present here to visit their exhibits later, so that the two artists can be reviewed by everyone, the society and the media. Next we welcome Guangdong town collective enterprise association Mrs. Bai Tao to speak.

Bai Tao: Distinguished leaders and guests, good morning, Master!

Today, Huang Zhiwei and Cao Chi, two ceramic artists, are holding their solo exhibition here. On behalf of them, I would like to extend my warm welcome to all the leaders and guests present. Congratulations to the two ceramic artists who held their solo exhibition.

Guangdong Province is a big province of arts and crafts, and its gross production accounts for 1/4 of the total production of the same industry in China. The main industrial clusters and specialized markets include the capital of arts and crafts in China, Foshan, capital of ceramics in China, Zhaoqing, capital of inkstone in China, Jieyang, and toy in China.

Guangdong traditional arts and crafts include crafts, sculpture, embroidery, drawing,...Furniture, metal craft, jewelry and other more than ten categories, hundreds of varieties. Among them, craft ceramics are one of the most important types, mainly from Chaozhou and Foshan. We also gave birth to a lot of past dynasties and heroines of arts and crafts master, two people held here today, Huang Zhiwei 3800 】 in just two master speech we deeply feel that their heartfelt thanks and sincere love, we also thank you very much for the ceramic art in the support and help, we are here to wish a great success of exhibitions, thank you.

Wang Shan: Finally, let's welcome Ms. Zhang Hong, the executive vice president of China Arts and Crafts Association, who is the leader of the arts and crafts industry.

Zhang Hong: Distinguished leaders, distinguished guests, masters and pottery colleagues, good morning!

Beijing welcomes an artist from south China with warm temperature, and their works bring us great appreciation and a deep sense of coolness. Today, two artists are jointly exhibiting here. On behalf of China Arts and Crafts Industry Association, I would like to express my warm congratulations to all the leaders, guests and two artists present. I would like to express my heartfelt thanks to all the representatives and leaders of the arts and crafts industry.

Chinese arts and crafts has a long history, contains the wisdom of the Chinese people, integrates the national flavor and cultural quality of the Chinese nation, with its vivid reputation deep at home and abroad, is a shining pearl in the world famous, China is the birthplace of ceramics.】China famous in the world by ceramic, originated in the Chinese arts and crafts, craft ceramics is one of the exotic flower of gorgeous craft ceramics in China ceramic sculptures, 4013] all over the country to form different parts of the artistic style, Foshan ceramic Chaozhou copper flower porcelain, colourful porcelain and porcelain, were all varieties with local characteristics of technology. This exhibition shows two Guangdong pottery master pieces, both ceramics and prints, modelling is vivid, colorful, very has the appreciation value, enabled us to see the inheritance and innovation, and can see that the author spent a lot of effort, we hope two artists continue climbing the peak of art, success, wish the exhibition activity complete success, thank you.

    Wang Shan: now let's invite Mr. Tao xiaonian, vice president of light industry federation and president of Chinese arts and crafts society to announce the opening of the exhibition.

Tao Xiaonian: Distinguished guests, ladies and gentlemen, good morning.

Two artists from South Vietnam, Huang Zhiwei and Cao Chi, the art exhibition of ceramic sculpture and colored porcelain is opening here this morning. Let's applaud together to represent our best wishes.

    Wang Shan: thank you leaders and guests, the opening ceremony is over, please go to the entrance of the exhibition hall together to take a group photo. After that, we will hold an academic seminar here.

(Academic discussion)

Host: Dear experts, the seminar on the "line molding" technique of Huang Zhiwei's ceramic sculpture and the art of modern porcelain painting has begun. The seminar is chaired by Mr. Wang Shan, the president of the World Handicraft Federation.

Wang Shan: The seminar is scheduled to be held from 10:30 to 12:15, so everyone has to take the time to speak. Before the seminar, we have a thank-you letter. Please ask him to read it first.

I would like to read a thank-you letter on behalf of Mr. Shen because he cannot be here today. First of all, I would like to congratulate Mr. Huang Zhiwei and Ms. Cao Chi on the success of the exhibition.

Thank the organizing committee for inviting Huang Zhiwei and Cao Chi's 联袂展 is very successful. Cultural innovation should be based on a strong and dynamic foundation, and inheritance is the foundation of innovation. Without inheritance and innovation, there is no tree without roots. Therefore, innovation is the only way for inheritance to continue. Without innovation, the vitality of traditional culture can hardly be handed down from generation to generation. Many great artists have made great efforts, and Huang Zhiwei and Cao Chi have made unique efforts in this regard. Congratulations to them for their support and thanks to all the experts for their support. The inheritance of traditional art is the interest of our nation and our country. Thank you very much.

Wang Shan: The academic seminar now officially begins. Academic seminars are usually held in a variety of academic exhibitions, and seminars become a very important link. In fact, I have attended many seminars and chaired some seminars, but in the seminar, I actually said in my heart that I was very opposed to the idea of holding the red flag and singing folk songs. Every author, every school, every style has its own aspect that is worthy of praise, and at the same time, it also has its own aspect that is worthy of consideration, and even more, it has its own aspect that is worthy of criticism. The word "criticism" is acceptable to many people. In fact, in Aristotle's time, that was the beginning of aesthetic thought and the beginning of the promotion of literary criticism or literary criticism, literary criticism in general, not the criticism that the Chinese had during the literary revolution. So for all of you in this room, leaders, scholars, we're going to put our heads together, and we're going to look at two schools of scholarship, two styles, two outstanding artists in this exhibition, and we're going to look at their work from all sides. We can from the arts and crafts thought, can also be from the process of practice to evaluate.

    Ms. Cao Chi has been in the military for twenty years. No one had expected that she would be engaged in porcelain painting today. After twenty years of military service, she has not forgotten her love of painting when she was young. Whether it is oil painting or plain writing, she has a very solid artistic foundation. After serving in the army for more than 20 years, she combined the art foundation with the craft ceramics closely, grafted the two different forms of expression on the craft arts, and used ceramics as a kind of material to express one of her thoughts and feelings. All of us here can have a discussion about her works through her works later. As a matter of fact, the more important part of the seminar is that there are disputes among many seminars, which produce academic schools and the direction of creation. More important the academic BBS and the academic exhibitions, in fact, it may help to guide the direction of the industry to create, the development direction of the industry, whether it is the art of the industry, or the goods of the industry, its creative direction through the exhibition, actually is just a performance, more important is through the academic BBS, to put it constitute a driving force, so the flowers in the schools of thought contend. Each voice his own opinion.

Now I have finished my brief explanation. Now let's welcome Mr. Yan, former deputy director of the State Administration of Cultural Heritage and former president of China Collectors Association to talk about his feelings.

Yan zhentang: I am a layman, for this pottery, porcelain do not understand, layman is to watch the crowd, the expert is to see the way, I talk about a little superficial feelings.

After reading very inspired, I am very educated. This time their two works, it can be said that is rarely seen. I have seen a lot of works in society, including sculptures, but when I saw the works of both of them, I generally felt that these works were very beautiful. It was a great privilege to be able to see the collection, and I felt these things deeply:

One is that they are with high level. Their works are very rich in connotation, imagination is very profound, very wide. Just like Lao Tzu, after watching it, you can imagine his Lao Tzu's life is more meaningful and enlightening in this environment.

Fuck Chi, she has a work called "free". The one flowing down from the ceramics looks very real and beautiful. You can imagine such a free way. Your imagination is rich and profound. What's more, the mountain is high and the peak is artificial. When many people are on the top of the mountain, they will have a kind of inspiration and a kind of mood, which is a kind of inspiration. People need to be a little confident, so her imagination is very rich. There's another one of him, of  Fu Shan. When looking up, Fu Shan's eyes are very kind, but also very relaxed, very calm, very calm, very thoughtful. In terms of technique, the whole ceramic has a rich imagination and rich  connotation, which shows that the author has a very good idea.

The second point is that they are highly skilled. Master craftsmanship, just now said to be like Lao Tzu, behind like a tree, actually is pottery, there is a tree, that skill is so superb, made of this pottery is so vivid, so natural, Huang Feihong's martial arts, very exciting.

The other thing is, I see the work "pig"...So this is very sophisticated, and you can see this is very elegant.

Cao Chi's paintings used to be from painting to porcelain, which has a special feature, so she can draw it directly. This is a great creativity in painting art. She can paint on porcelain, paint on ceramics, and color on ceramics. The ability to integrate this painting with various ceramics and works of art is very impressive. I feel that their creation, sculpture and painting are of superb skill level. 

From an ordinary painter to a ceramic artist, I think that's amazing.

Thirdly, from general painting, to porcelain engraving, to ceramic art, this is a great creativity. She did research on ceramics by a general writer. She applied this color to the porcelain plates, to the ceramics. This is not a simple art, because she has a deep study of ceramics and painted porcelain. Master Huang used what kind of material, what kind of color, how to match, it is really because they are quite high on the ceramic art works, saw their exhibition, indeed each work can be said to be a fine collection, or art boutique. Once I saw it, I felt sure it was a kind of artistic enjoyment of beauty. I'll just start with those points. Thank you.

Wang Shan: Just now Mr. Yan has given a general impression in three aspects. The first is that they have both the commonness of creation and the individuality of creation. The commonness is the profound connotation, and the individuality is the imagination of creation. Cao Chi has a rich imagination. In fact, when we look at the exhibition of Cao Chi, it is more of a romantic color. At the same time we look at their personalities and differences. Mr. Huang is realistic in his creative thinking, realistic and figurative. On the other hand, Mr. Yan says that they are highly skilled. From their mastery of materials and techniques, it is a very, very combination of technology and art. Third, they have a very good grasp of the material at the same time, very reasonable in the use of materials, but also very skilled in mastering the nature of the material. For example, when Mr. Huang is sculpting, the problem of firing shrinkage and arrangement is a problem. Cao Chi is also very skilled in the use of glaze and color.

Let's the second deputy director of the press and publicity bureau to speak.

First of all, I would like to congratulate the two artists on the successful start of their solo exhibition. I believe that the original exhibition will be successful. What is the merit of my research exhibition? We all know that the English of China is China, it seems that ceramics is also called this, the West regards ceramics as the synonym of China, our material selection today is exactly such a essence of the content. The second point is the combination of pottery and porcelain, art museum in perfect reflected in our country, such an exhibition, I just listen to total Zheng, this year's renewal is full, the exhibition is plugged in, I think right, it is very perfect, this exhibition for somebody else to raise the level of art is beneficial to the promotion of Chinese literati.

The third point is our selection of materials, two art masters, both of whom are from Guangdong. Although Ms. Cao Chi is not from her hometown, she basically lives in Guangdong. There is sometimes a misunderstanding in our country that the culture of economically developed regions is often the weak spot. However, today we see that the culture of Guangdong is far behind that of other regions. Through such an exhibition, it seems that the art level of southern Fujian in Guangdong is very high and wonderful, just as our teacher Yan said.

Fourthly, he is both romanticism and realism, and the perfect combination of the two is fully reflected in this exhibition hall and in the contents of this exhibition hall, which is a preliminary reflection of today's exhibition.

The second question, I think there are several characteristics in the works of these two masters.

(1) New, new subjects, new techniques, a new realm, that is a word.

(2) Strange, fantastic ideas, especially Master Huang's works. The originality is peculiar, the image is beautiful.

(3) special, feel special impact, attractive and infectious, these are three "special".

For what the moderator said just now, our discussion mainly says a little, that is, we can't criticize, but argue. In a sense, this speech all mentioned the question of who literature and art serve. This is a question of direction, which we have reflected very well in this exhibition, which is very authentic and authentic. All themes are drawn from the history, culture and hot life of our country. I only mention some here is to feel our theme is still can again a little bit wide, where broad, broad into working people, broad to hero of new era, broad to the ordinary people of life, can behave a bit ordinary folk customs, and he that deduce the greatness of the ordinary. For example, the old heroes of Yan 'an, the pioneers of The Times and the craftsmen are all treasure houses of our artists. If we can explore some themes in this, I think it might be very good.

What I said is wrong, please forgive me, artists and masters. I have also been affected by the teacher Gao, speak a few rhyming bar, Guangdong folk customs clever building materials, lonely Beijing Xinhua open, art indicates new open eyes, elegant hall ancient exhibition, Cao Chi detached......

Wang Shan: Thank you. In a word, I can't see enough. This sentence represents his interest in the exhibition. After all, Mr. Gu is a worker and leader of the Propaganda Department of the Central Committee of the Communist Party of China. Therefore, he stressed that it is the quintessence of China and a carrier of culture. Moreover, he was also looking forward to holding such an exhibition in the National Museum of China. We will also continue to run the exhibition one after another, emphasizing the social benefits of this exhibition. In addition, he has three aspects, the first aspect is not enough, the second is the characteristics, here the first two new, strange and special. The third aspect, Mr. Gu about the very good is very critical issue, is it the connotation of the spirit, in fact the objective is to serve the people, but the people is a public behavior, public behavior, living in different places, different class, different objects, so we should emphasize its creation of object and subject matter. I would like to mention Mr. Huang Songjian in particular. I remember Mr. Huang held a solo exhibition in Guangdong the year before last. I saw a lot in the exhibition, one of which was the sense of The Times.

Then what works of the Cultural Revolution, Mr. Huang may remember later, can talk about later, Red Light. But what we see in those works are historical and cultural phenomena, and what we see is the trajectory of history that is presented to the public today. So now is to say how our works are combined with the development of today's society, today's people's mental outlook, today's people's views and some views on society. In fact, it is the spirit and value of art. Thank you very much. 

Next, let's welcome Mr. Liu Xijin, former president of China National Industrial Products Import and Export Corporation, an old authority and expert.

Liu Xijin: Thank you, everyone. I talked to you a lot when you came in. From the whole point of view, what they have in common is that they have inherited and carried forward the tradition, developed the traditional skills, especially the traditional ideas, and reached a very high height. You have made good use of the sculpting, making, kneading, carving and painting. For porcelain engraving, you have applied the traditional techniques, which are not limited to Jingdezhen, and created a new high and elegant artistic synchronization. Generally speaking, the two of them have made great innovations in the tradition and have many new ideas. But everything, has good, also has many disadvantages. I came in, for example, I said from the overall temperament and style are very good, in detail the gap with the west is very big, of course I say this too much, for example, there are a few modelling on the details, not only does not conform to the reality, and can be said to be a failure, any kind of art in both the starting point of a center, and the flow of weather, have a foothold. The relationship between the starting point and the resting point is ignored. If there is no movement, it will not be a Chinese characteristic, nor a good artwork. I hope you can pay close attention to this.

For example, Cao Chi is also made a great breakthrough: the thickness of the color, clarity and blur lack of a sense of layers, especially the porcelain prints, painting a lot of strength, (accent) including the expression of the eyes, the force of inspiration. Real artists, real works of art is the pursuit of simple beauty, simple begets beauty, in the future you should pay attention to the final simple and beautiful.

The second attention should be paid is the color of glaze, high temperature color glaze changes in the flow of the kiln. This flow is not enough attention, one should pay attention to what direction it flows, flow out of what effect. We should pay attention to the inside. This is my opinion of the two of them. Generally speaking, the overall artistic function is quite good, and the specific details, especially the overall perfection of the artwork, need to be well grasped.

Secondly, any person, including artistic activities, cannot be evaded in this. There are righteous and evil forces in everyone's heart. Desire and firmness are always there. All strength is mixed with the idea of the foundation, without the idea there is no strength. Everything you do has a starting point or a recycling point. You have already taken the first step to return to the righteous spirit as your work and become an artist. I think these two people have given me a breakthrough today. The first step of each stage of the growth of artists should be said to be a good one. The first step includes three contents: intelligence, namely, reading good books and learning historical knowledge and traditions well. The second is to listen to your ancestors, I guess you hear a lot from your father.(...)One should pay attention to the good sketch, should pay special attention to these three points, these three points found, your starting point is high, you this inside a lot of creation (......)That's what I want to talk about. You both have a good starting point, but you need to work on it.

For any person, there are two aspects that cannot be ignored. One is that I want to earn money to support my body, and the other is that I need to live. Money should be considered in the creation of art. Money is for the sake of health. It is useless to have extra money. The second thing we should pursue is that art should pay equal attention to the cultivation of nature and the cultivation of mind. Only in this way can we become an artist. Mentality gas, artistic creation of the people is right, mentality is not a good work of art. I am glad that you are not polluted by modern ceramics. I used to disapprove of modern ceramics, contemporary art, etc. Your is very good, everything is developed on the foundation, there is no foundation to add new gadgets, we must take a solid step by step to a good road. The core of a good path is like buttoning one's buttons. If you button it correctly, it will be straight, and if you don't button it correctly, it will be tilted. Thank you.

Wang Shan: Thank you Mr. Liu. Mr. Liu to talk about the overall feeling of exhibition, and then talk about the related technique method, certainly here with heritage inheritance and development of new, at the same time it puts forward some questions about the relevant notice, one is we in the creative process, or it's energy in the production process, through dynamic performance. In this also mentioned the starting point and landing point of the problem. The relationship between complexity and simplification, as well as the glaze side flow, the glaze side flow is very connotation that Mr. Liu just said. From the perspective of technology, the Angle and position of the porcelain plate, as well as the temperature phenomenon in the kiln will constitute different effects in the flow process.

The second aspect is about learning more knowledge. It emphasizes seeing, listening and doing. So what is seeing? Reading a book. Listen, listen to others. We should combine these two aspects to consolidate our artistic foundation and guide our craft activities from the thought of craft aesthetics. In this part, I also put forward some ideas about Lao Tzu to Mr. Huang, which should be worth consideration and thinking. But finally, I am sure that the two young artists are both talented, both have bright brains and dexterous hands, so there is a very broad space for them. At last, he talked about the problem that every artist has, money and art, which is very important if the attitude between the two is correct.

Now let's invite the next teacher, Tang Kemei, to talk about it.

Tang Kemei: After seeing the exhibition of Mr. Huang Zhiwei and Ms. Cao Chi, I think the exhibition is very successful and the works are very beautiful. I feel that the young generation of craft artists, the young generation of artists, they are exploring, they are innovating. In the exploration and innovation we see today, I think the mainstream should be that their exploration and innovation are successful, which makes the grey-haired people here feel very gratified.

I'll start with Ms. Cao Chi's works. Her works are basically traditional and modern together. I appreciate the modern part of her. I think the modern part of her is the same as the clothes she wears. I think it is like this, youthful and modern. The subjects in her works are those of our traditional people. These contents of music in our era, for example, I am very fond of the various schools of music, and Gao Shan is the father, the voice of The Times, and the music is outside the string. I think these works are relatively successful in terms of artistic form, artistic expression form, artistic composition, color and intention. After reading gives a person a kind of rhythm of The Times, the aesthetic of The Times. I think it's very good. In addition, she created Guanyin (Godness of Mercy), which is a traditional subject, because it is a traditional way of expression. So I have a suggestion, I think there are many people in our ceramic field have done this, of course, your painting of Guanyin, from the face, body, lines have shown your basic skills, the lines are full, empty and real, as well as the strength of the lines, the dynamic lines are very good, the facial features of kindness are very good. However I think since you can paint such a good modern works, why don't you use modern forms, modern techniques and modern colors to express and explore the theme of Guanyin, which is popular among Chinese people? I think you should explore some of the suggestions for the work of Ms. Cao Chi.

Now let me talk about Mr. Huang Zhiwei's works. I think as a Beijinger, Beijing is very happy to engage in arts and crafts, because a lot of national arts and crafts, all kinds of arts, can come to Beijing, let us quietly to appreciate, to study, to study. In addition, I think Mr. Huang Zhiwei is also very happy, because he was born in a long history of Shiwan, ceramics of our country is very excellent such a base. In addition, he comes from a ceramic family. His father is a famous master of Chinese arts and crafts and a very accomplished ceramic artist. In addition, he is a graduate of Guangzhou Academy of Fine Arts, one of several major art academies in China, and his tutor is Peng. Therefore, I think Huang Zhiwei is very happy. But after seeing him grow up, after seeing his work, he is not arrogant for these innate advantages, this is true. Then in his works, I feel that as a young artist in the modern era, how to go on this artistic road and how to realize his ambition. There are many outstanding artists in Shiwan in front of you. They are all peaks, which are very difficult to surpass. I think Huang Zhiwei's works reflect such a phenomenon.

I use Mei Lanfang's concept of inheritance and innovation to explain this phenomenon. Mei Lanfang in the inheritance and innovation, he said eight words, "first shape, then move, move without changing". My understanding of this is, shape first, then move. What is shape? Traditional consciousness, traditional culture must be fixed, this is your main vein, is your foundation. If you don't have that, you have no foundation for innovation. So only to set this point, at the same time must have a very comprehensive and solid foundation of the modeling ability, the foundation is good, after the step, the two types caught you again step, basically can not walk the form, this is in the tradition and basic skills on the basis of innovation. In the process of bold innovation and exploration, you should keep your traditional culture firmly in mind. That is, you should always keep this basic point, basic skeleton and basic context in the form of traditional culture and traditional art. After your bold innovation, you will never be able to go out or go out.

So this I think Huang Zhiwei in his art, and I feel caught this, so you see his art, he is the art of Shiwan, his subjects, including characters, hands and feet, it was all down to Shiwan pottery and porcelain, but he and his father, I think he is with some painting freehand brushwork in traditional Chinese painting, in the many masters, in the past, I as well. But most give me the feeling, he is fame, but Huang Zhiwei has freehand in it. The second I think Huang Zhiwei, this young man is very hard, and on the artistic path, is very serious, very strict to treat yourself, he should say every artist we must stand on the traditional art, to stand on the shoulders of predecessors, must stand on the shoulders of predecessors, he has created for us such a good art form and artistic achievement. We should stand on the shoulders of this giant, standing on the shoulders of our vision more broadened. We have a certain height, with Xunzi said in the persuasion, and pad tiptoe to look forward, it is better to go to the plateau to see yourself, your sight is more vast, you stretch out your hand to see more clearly, the same.】Is that he is standing on the shoulders of giants, serious, steadfast to learn, to accept.

On this basis, he himself created a "line plastic" art, so this "line plastic" art. I have looked at his album before, many times, but many of the photos are not good, there are wrong interpretation to the work. I came to look at his things at noon yesterday. I think his "line plastic" art is a success. His art of "line modeling" is mainly that the line is used to shape the body and shape the emotion, so his line is not rigid. The line is not the same thickness, but the whole line is concentrated in a body, so after watching, his lines are both dynamic and not jumping, so I think his "line plastic" is very good.

In addition, he has a change in "line plastic". He would adopt different methods according to different characters and subjects. You see the work "dharma", the whole with "line plastic", is also very beautiful. “Indian Girl”, and "Tolerance", is the combination of line and face. This is not all line, line and surface combined, thick and thin combined. I think it is very good, seems to be wired, seems to have no line, seems to have some non-line, you think he is wired, but you go to see, he is not a very obvious line, but the performance of his demeanor, performance of his demeanor, performance of his body, performance of his character strength, I think all performance is very good.

Third: I think his work is the combination of form and spirit. On image creation, body shaping, he learned a lot of Shiwan characteristics of traditional art, very careful look, look, or even a hand to the change of the muscle, the change of the change of the fingers, toes, very vivid, combination of form and spirit to express his very good theme, can better moved by the audience.

The fourth question, he pays special attention to the shape, not just the casual shape, his shape is carefully designed shape, inside the shape he pays attention to the form, the trend of the shape, including clothes. For example, in the middle of the work "Wu", the whole dress is in this direction, the posture is in this direction, and the person is in this way, so this direction is to highlight the person, which I think is very good. And there's Guangong, Guangong shape, his clothes and accessories are all gone with the wind, the head is gone with the wind, he pay great attention to the shape of flap, but the shape of flap design is very exquisite, so that makes his works have tension, make works with visual extension force, at this point he processing is very good, so on the design of the shape, form, image is very exquisite. Confucius is very important to speak about rhythm and rhythm, no rhythm and rhythm is rigid, there is no moving people, he in the processing of the type, the overall processing of the work is also very particular about rhythm and rhythm.

In addition, he pays special attention to the interpretation of this type of works, art is to talk about the form, the difference between us and nature, and life is to extract in life, can express the form of beauty, so he wants to tolerate, hand, he pays special attention to the form, so I think his works are very successful. When I came to see it yesterday, I talked with Huang Zhiwei about the subject matter of performance. We need to make a breakthrough in the future. Now the subject matter he shows is a part of the tradition, and traditional Shiwan wants to show a part of the tradition. He is exploring the modern at the same time, and his father worked with ancient lady-in-waiting, but this time he has a modern maid I think was very successful, I hope he'll use more space to express the modern young people, I think the modern Chinese painting, figure painting, Chinese painting and figure painting, far beyond the ancient figure painting, because the style of modern, men and women. All kinds of clothes are very beautiful, but we need to choose art, a variety of combination, I think the modern people should be today the mainstream of The Times, we should show him, and to dress up as they have their own characteristics, also is very beautiful, so today's artists, I suggest to us today, Chinese people in their lives today. The state of their lives and the form of their lives, thank you.

Wang Shan: first of all, teacher tang said that the work is successful and exquisite, and the mainstream is with inheritance and creativity. For Ms. Cao Chi, inheritance and modern and hold, teacher Tang used a "hold" word, with a word Cao Chi. At the same time, it says that how to build modern Guanyin statues, such as palace statues, folk models, different proportions, sizes, colors and forms, are all worth discussing. Therefore, Teacher Tang believes that Ms. Cao Chi has very good artistic expression ability and her means. Therefore, in terms of color, line, method and means, I hope you can make some discussion and research on the modern Guanyin.

In addition, this paper puts forward some requirements and opinions on Huang Zhiwei. Firstly, it brings some new aesthetics to Beijingers. In addition, it introduces Mei Lanfang's style of moving without changing, which fully reflects the relationship between inheritance and creation. I think Mr. Pan He is an elder, an authoritative figure and a well-known sculptor in the national sculpture field. Mr. Pan also wrote a sentence to Huang Zhiwei, which is "inheritance and development", "inheritance and development", which is actually a position given to him by Mr. Pan. In this, Teacher Tang also talked about his style, in fact, in this style, should be realistic, there is his "line plastic", so "line plastic" inside, Teacher Tang also talked about the rigid and soft, curved and straight and so on all kinds of methods and means, in fact, to shape his character shape of the god. Teacher Tang also placed high hopes on the young people, looking forward to our Huang Zhiwei is standing on the shoulders of the predecessors to scale new heights, finally put forward a proposal, subject matter to make a breakthrough, to have extensive.

Then let's invite Mr. Huang Songjian, a master of Chinese arts and crafts, to talk about it.

Huang Songjian: I'm here to learn. I'm here to listen to your opinions.

Wang Shan: you may have a more special identity, you are the father of Huang Zhiwei, as a father, as a national master, to comment and guide kids, it is necessary, please explain a few words.

Huang Songjian: First professionals and they have said a lot, all very touched, really put their own opinions in their two young people, is very good, I also hope that our two young men, don't listen to a little not too happy, absolutely can't do this, must take their opinions, slowly thinking, should be able to stand up in front of the public, this is the first point. Because I myself, the original Huang Zhiwei's "line plastic", I said ah Wei, why do you do "line plastic", he said our Chinese painting, how good, why can't be applied to sculpture? He opened his own studio at that time, so he did his own. He went to ask the teacher, he did (accent inaudible), now you Shiwan flowers bloom again, I remember myself with learning from the method to do it, I did, (......)Results get exhibition in Hong Kong, Hong Kong collectors to collect it, after the collection will take part in the Asian art festival, is that Asian art festival opened in Hong Kong, the time is not connected with the mainland, in that place to play, he collected, put the museum has, but also on the cover, Taiwan also put it on the cover of Huang Songjian,  technology. I later in the Foshan Nine Temple, (accent) because I feel through copying this art is very good, our grasp, this kind of thing pad to go, it is characterized by layers, high and low levels, very three-dimensional sense. I also incidentally wrote an article, will be with us now of the realistic Shiwan, we run together, together for slowly our young people are up to do this, ran to thousands of households, and then really a lot of people to order. Our teacher Yang, his friend also said (...)So this is what I said at the beginning of you two young people don't be afraid to talk about technical thinking, ask people, ask the old, the young, the middle aged, ask them for their comments, collect them and put them in your own bag. I made several big sculptures (...)Foshan depends on what, rely on Shiwan, Shiwan ceramics collectors to collect, can go to foreign countries, can go to Hong Kong to collect, where? It's both physical and mental. A work of God, and tangible, is a successful work, do not say that do not have any demeanor, so can not stand people to see, there is God, but also tangible, we also tangible after there is God.(...)As a result, the China Art Museum came to collect our works, (...)Our that print also has god tangible, absorb everybody's opinion. I come to study, thank, thank everybody.

Wang Shan: It seems too difficult to master Wang just some words I summarized and concluded, because Huang Zhiwei from childhood time to today is always under the yellow big education, Cao Chi may contact less, I hope many of communication, but the two young people should follow our master give you hope and a sense of historical responsibility bear. So here is also emphasized that listen to the opinions of everyone present, listen to the old people, small people, different industries, different people's voice for their own use, to enrich their own creation, means, methods and creative ideas.

Thank you very much. Master Huang was one of the best in his profession, both in his profession and in his conduct. We should all have given you thumb. And set a standard and an example for the two young artists of today, starting with his profession, learning as a person, and then learning as a teacher.

I'd like to invite Qiu Gengyu from our university to talk about it.

Qiu Gengyu: First of all, congratulations on the success of the exhibition of two teachers. I feel quite good, in the form of exhibition, Wang Shan teacher said just now, the project of men and women of the collocation, the collocation of ceramic porcelain, I feel or stereo peace is tie-in, below is reflected and the format is the characteristics of the two regions, Cao Chi teacher a made in Jingdezhen, a on plane on coloured drawing or pattern, Foshan side lay particular stress on stereo. Emphasis on sculpture.

This is the first time I met teacher Cao Chi, but I think the porcelain engraving is still very good. Zhiwei: we've known each other since we were looking for them, but we don't see each other much. In fact, I have known Mr. Huang for a long time, because I visited him in Shiwan several times before, including the exhibition in the art museum that year, and I also participated in the discussion. Just before the exhibition began, Mr. Liu also specially pulled me to the exhibition hall to see two things of Zhiwei, I think Mr. Liu is both affirmation, but also have opinions and opinions, I just heard Mr. Liu also said about it.

There is a Wang Shan teacher said before the discussion began, most of the previous seminars are much more one-sided praise, really put forward fewer opinions, also hope that this discussion a little change, in fact, I also this idea, otherwise it will lose the significance of the discussion. I do teaching itself is in school, but in school might have a such characteristics, classes and students together, may at least it is my own, and I said, points out problems, less praise, because I think as long as he put it to come, good things that he had mastered the, need praise the things he has done. What's the point of saying it when you've got it? It doesn't make any sense. On the contrary, what he is not aware of, or some problems that he has not found, may need to be pointed out for him, because sometimes the onlooker sees the most. In school, so maybe this is me at school a characteristic, also has now students might say the high teacher: how do you don't need to encourage the teaching method, I think you should be very confident, you should be able to hear the opinion of others proposed should also be confident, because is you, others also don't go away, I just can tell you what you lack of others.

So this time is limited. Since praised words have been said a lot, I will not say much. I here just put forward a few opinions and suggestions, only for reference. One is the painting of Cao Chi. I think the painting is quite a feeling, very good, especially on the back wall of the religious theme of the painting. I think the painting is very good, at least can see her kung fu, the line of kung fu is some. Before I went to school, I had been studying Dunhuang frescoes for three years, so I think I have a good understanding of traditional Buddhist subjects. For a process, after all, is not quite the same as before, from this point of view, the teacher to hold material, process or malicious under a turn over effort, but also very innovative. If I might suggest something, I think it might be worth noting that the subject matter of your work is probably very rich, very broad, very broad. But from my personal feeling, I think the appropriate can reduced the range of subject matter, what is the purpose of the narrow point, is easy to put a certain subject, or more feel subjects do much further, and some topics because you said just now, this exhibition is a academic exhibitions, exhibition of commercial more before may. I think an academic exhibition should have an academic requirement. Such as "have time" you have a work, I think that is very different from the rest of the work, I think that can dig, dig in the scope of the form can also, it is more like with our time in combination with a relatively tight, is not only a good sell not good to sell, one is with the combination of life, one is with this era are more tightly.

And there's a Zhiwei’s work. I also have a bit of advice, for "line sculpture", I have two suggestions. First, I hope, of course China the biggest characteristic is painted sculpture, from the ancient tomb of Qin and Han dynasties, then all kinds of is basically sculptures spread falling, painted sculpture inherited in Shiwan is very good. It is also a characteristic of Chinese sculpture. But I suggest, as a modern, or modern art shape, the color of the control, less on to pure, how to choose the color and exactly choose several colors on a piece of sculpture, I think should be few and well chosen, and should be unified into cadence, the relationship between each color to match, I feel less, on colour within several to have integral feeling to do it.

And the modelling of a whole, should be simple, pursue overall, so now there may be some things, some pile, such as the clothes ah, the so-called same integral feeling is feeling, or local inner feelings, should not be together, that is to say, the author should be from work can see your passion, your work is with a very strong passion. Finished in one breath, I think such works are very good, and do not let people feel that this thing is a little bit of grinding out, do not say all your works is, I think there are a few to pay attention to avoid such a problem.

There is pay attention to some details, the so-called attention to detail is to put a lot of details, together with the whole, to be put onto the overall, or have some body pattern of, for example, including fingers, including the hand, face shape is very good, person's shape is very exquisite, but the hands are the second face, then your opponent's this shape may also should be in the wash. For example, "unify the country", the strength of the finger after pointing out that the finger is equivalent to the feeling of a word, the finishing touch, the hand must have power, and the whole point of the sculpture must be concentrated on that hand, it may be a relatively complete sculpture.

There are those people who are Guan Yunchang, there are individual places, such as beard, like a lantern, the belt on the lantern, the leg is to pedal on the horse, the belt should be straight. The beard is very vivid, and the horse is also very vivid. But how to make it into a complete whole, I think these parts can be further refined. We can do this theme repeatedly, so that every time we do it, we need to find out where can be improved, and then we can adjust it. For example, I went to Shiwan. It happened that Shiwan Museum has the work of "The Great Master". I think there are a lot of things in it that I can observe, experience and feel carefully.

    All right, I'll just leave it there.

Dear masters, today the two exhibitions are from Guangdong and I am also from Guangdong. I would like to take this opportunity to say something, especially about the positive aspects of art, which are worth learning from other masters in Guangdong.

Distinguished leaders, guests, masters and colleagues in the industry, good morning!

Today, I am invited to attend the high-end ceramics and porcelain art exhibition held in Beijing by Huang Zhiwei and Cao Chi, two artists from Guangdong Province. On behalf of the Guangdong Arts and Crafts Association and colleagues in the arts and crafts industry of Guangdong Province, I would like to extend my warmest congratulations to the success of this exhibition and this seminar.

Huang Zhiwei and Cao Chi are high-level young ceramic artists in Guangdong. Today, I would like to take this opportunity to discuss with you my personal views. Huang Zhiwei is a master of arts and crafts masters, Chinese ceramics art of Guangdong province, Guangdong province, researchers at the institute of arts and crafts, refinement to the United States, for the soul, his art level is higher, art, art, family background, Huang Zhiwei from academic, his artistic development embodies the enlightenment is our tradition, Huang Zhiwei 's work has the common Shiwan pottery art, very representative. The artistic sense of Shiwan pottery is relatively strong, famous at home and abroad, why? Personally, I think he is the resonance effect between spirituality and humanity. I talk about this because I held an exhibition in 2012 in Beijing by Pan, and I talked about it in detail, so I will briefly talk about it here. Guangdong Shiwan people's spirit operation, the expression of human nature, true, good and beautiful, this kind of multiple elements as long as one can resonate with the hearts of people can move people, the charm of Shiwan ceramic sculpture comes from these. Please also appreciate the characteristics of Huang Zhiwei's art works in Shiwan ceramic sculptures, which are beyond ordinary people's. Here, I will summarize three aspects:

First, the point, surface and line, which is a comprehensive reflection, is better overall and overall. Because I have visited a lot, the more I look at Master Huang Zhiwei's works, the better they look.

The second is the exaggeration of art, more vivid. In freehand brushwork, realistic, he partial realistic some, highlight the aesthetic feeling.

The third is what Master Liu said, smooth lines, "line sculpture", whether the Yin line or the Yang line are very elegant, extending upward.

I will talked about Cao Chi’s work. Cao Chi’s porcelain painting was compared with the traditional process innovation success of an artist, Cao Chi is a researcher of Guangdong institute of arts and crafts. Her work is not only at home, especially popular in foreign countries, and her industrialization operation, so she is more comprehensive, a lot of work, is also the place where we need to learn. Cao Chi works of art to give a person a new feeling, buzz in the history of art, is well worth further summary on academic, I personally think that can open a pioneer of traditional arts and crafts, because I do a lot of exhibition in Guangdong, but the theme is the same, from a topic we have to draw, there are a lot of forms, Cao Chi's works to see as soon as there is a kind of a new weather. Due to time constraints, I will only mention three new breakthroughs in academic integration, namely, the combination of fiction and reality, the combination of skill and art, and the combination of tradition and modernity, all of which are excellent. The whole through one is innovation to do better.

The combination of tradition and modern, we know that our traditional painting is a tradition, oil painting is also a tradition, but the innovation of Cao Chi, she reflects the effect of traditional painting and oil painting, this you can go to have a look. There are modern techniques, hand touch is very three-dimensional sense, this aspect she is a better combination.

Work with the combination of art and craft technology and art and machinery, but in fact, some people painting is bad, can go and see her craft, both of which she is working with the art of combination of a model, she page by carving, carver and application, said showed the protruding from the page, one is the application of colour respect, rendering blade scene, is also a creation direction and methods.

The third is the combination of virtual and real, or the clever reference of freehand and realistic, arts and crafts, especially plastic arts, interpretation is necessary, people should be like people, birds should be like birds, and monks should be like monks. How do you make it virtual? This is not a good grasp, why want virtual? Of course, it is for the realistic needs, our current works, at the same time can the extension of lines, that is, the concept, philosophy, thoughts, very important artistic content, is worth our study and discussion.

Today, the development of arts and crafts has encountered the major issues of transformation and upgrading. How to break through? Today's exhibition of the two artists and their artistic characteristics, a lot of innovation, to our thoughts of development, should have a certain guiding significance, I personally learned a lot of things. Finally, I wish Huang Zhiwei and Cao Chi the success of this exhibition and more development. I also wish all the industry leaders good health and all the best. Thank you.

It's seventeen minutes to half past twelve. For the sake of time, we must finish at half past one and go on. Each of us will have two or three minutes to speak.

Mr. Shen: today I am enjoying a feast of culture, is to learn, just listened to so many masters, senior communication, I feel this exhibition of Cao Chi and Huang Zhiwei is a breakthrough. Then I would like to briefly talk about Huang Zhiwei's two works. One is Laozi. I feel the unity of nature and man, and the combination of activity and activity. There is also a work, he grasps the god shape both, display, tension, modeling is correct, muscle display, is completely incisive performance. Later I communicate with Huang Zhiwei teacher. I think this is Shiwan modern work best, here I make a little suggestion, Shiwan, has a long history, but Shiwan have a lot of outstanding works, personally, I think so, can we put this kind of work, the performance of the predecessors, including in the Ming dynasty, their artistic techniques in combination with our technique. And we should say continue to learn, to improve in terms of craftsmanship, in terms of technique, in terms of traditional performance.

The second we have to congratulate Cao Chi. Cao Chi’s characteristics, as we see today, I think the product more bold expression of modern art, the performance of the liquidity, bolder and her performance with glaze, regardless of her glaze, bucket color, she glaze with the spirit of art gimmick, I believe that there are a lot more people, young people, like the contemporary artists. Of course, I hope your work can reach a new height, and I think your work has a sense of oil painting, which is the success of the two artists. In addition, I would like to briefly elaborate on the essence of art, the capitalization of art, and how to make the effective capital of art effectively combine with the Internet. I will discuss a few of these views. Thank you.

Guest: First of all, I would like to congratulate Huang Zhiwei and Cao Chi on the successful opening of the joint exhibition of porcelain paintings here. Many teachers have said a lot just now, which I think is from the heart. In particular, Mr. Tang's idea of "moving from one step to another" has inspired me a lot. I have known Mr. Huang Zhiwei for many years, especially his father, Mr. Huang Songjian, who has given me a lot of help. I would like to talk about my views on Mr. Huang's works first. During Mr. Huang's exploration of ceramic and plastic works over the past 30 years, I went to visit his studio in Shiwan, where he worked very hard and made a lot of things. And he combined the traditional sculpture art style western sculpture art and Chinese painting together to create the "line sculpture" this expression technique, won the national patent. I saw his works has several feelings, one of his work has its own personality and style, the modelling of the biggest feeling is he very solid basic skills, but also in written form, vividly did very well, I work for him got the three major categories, one is have contemporary feeling, such as "youth", I think doing a good job. Just now, many teachers asked him to show more works with modern themes. I think this work is very good.

Another work “Guan Yunchang” , the two works have sculpture realistic ability, I think it is very important basic skills, also for his later creation these individualizing laid the foundations of his work today, of course, mainly "line sculpture" work, I look at the "line sculpture" work also is to have characteristics, with his own personal characteristics, today's work I feel very good, is a "resonance". One is "Shy Walker", and "Detachment" I think this three pieces with his patent “line sculpture” to create, and the way of carved gold thread and post Yang line, thus, a combination of Yin and Yang, with line plastic face, line shape, plastic god in line, the method of the fusion of traditional painting line painting style, a flowing, flowing natural aesthetic feeling. I think it's very good. We have rarely seen such things before, so just now his father said in his introduction that when he created his work, it was easy for collectors and the market to like it, which is very good.

Another, we hold this porcelain painting has its own familiar, I think Cao Chi teacher the first time we meet, I think of her as a unit, and is drawing before, studied in the west, can create so many works, and style and varied, I summarize three, one is Chinese traditional painting characteristics of Guanyin series, a series of abroad. Another is abstract expression form of works, the mountains are high human, make a suggestion, person's energy is limited, so don't at home, and abroad, is an abstract, you will catch a feature to agriculture, I think in the future to make art, may be more out a personal style, to have the characteristics of the works, thank you.

Yang Jianping: In a word, I wish the two ceramic artists a success in this exhibition. The second sentence, this is a high standard, high level, high site, I often for many years to participate in various exhibitions in Beijing, as they have this condition, and the leadership of the specifications so high, and academia, including our process of a high level of leadership, I think the two of you are very lucky, I compare master Wang Chengdie, he find me find vice minister of the ministry of culture. Let me do it. Compared with Wang Zhenwu's condition, I am very moved. In the last word, the craft circle should accept the criticism. Now many of us like to listen to good words. I would like to make two comments here.

First we Shiwan chahai, centralized Shiwan porcelain forms, both arecombination of shape and spirit. “Line Sculpture” by Huang Zhiwei is proposed in the here, I think that is not yet mature, he needs to work, because the form also needs to be deepened, must be beaten, because time relationship, I am ready to say more here. In addition, painters, the two of them have different cultivation, good foundation, but as a painting of Buddha, or to increase their own needs, painting Buddha is different from our ordinary people (......)Thank you very much.

Wang Shan: Now what we emphasize in this academic forum is crossover. What is crossover? These two are masters of Chinese arts and crafts.

Guest: It is a learning to the purpose of my coming here, first of all, I congratulate the artists exhibition was a great success, and this time I do is to learn, mainly is the revelation, cross-industry, because our art is interlinked, sculptures and carvings, I feel there are few, this make me feel is in ceramic industry, especially in the Sanwan pottery and porcelain, like Huang Zhiwei do very big innovation, tradition is the subject of innovation. Especially with modern themes, I also see the prospect, which is a hint to me.

Bold use of modern art, sculpture art, the performance is very wonderful, this is a big common sense, because I think this is the first breakthrough in Shiwan ceramic modeling, because I thought it was realistic before, the combination of realism and freehand brushwork, this is very successful, plays a leading role in the sculpture industry. Because most of the sculptures and sculptural works are realistic works, it is very beautiful to do freehand brushwork this time.

Another is "line sculpture", because we carve sculpture, I think it is actually a line, line and surface combination of art, so it is quite difficult to do well. Every increase a little, you the height of the sublimation works is very, very not easy, I do the ivory carving is also more than fifty years, give me a sense of ivory carvings have been faced with the s of the last supper, I feel more at this time more should put out good work, its art heritage protection, to be better, because after the sunset industry. Ivory carving is a sunset industry. I think people will see less and less work in the future. In general, it provides a very good model for our technical creation. After seeing Cao Chi's works, I also feel that it is worth learning for colleagues of three-dimensional sculpture. Her works inherit the tradition, but also have modern creativity.

Several teachers have talked about just now, especially the religious subjects, it is particularly difficult in particular, religious subjects first religious have to admit that your work must first into laws, and its artistic quality and enjoy the beauty, even religion, the religious aspects of the object, but also our wide range of a work of art, so I suggest that culture can see, I think the Chinese arts and crafts. Basically its culture is built around religion. Well, I thank the two teachers for their work, and I also thank the experts for their opinions just now. Thank you, and that's all I have to say.

Wang Shan: This academic forum is coming to an end, but we all know that the works created by each artist are for everyone's enjoyment, and the more important part is for everyone's collection. We will give the last two minutes to Mr. Jin from our collector's association.

Mr. Jin: Time is very short. After listening to what teachers have said and these comments, I have the same feeling. First of all, I feel that the two participants in the work exhibition today are middle-aged people, so I will not talk about it if there are too many. I mainly want to talk from the collection point, because we are the Chinese collector association. Yun is my old leader, I am a ceramic collection committee of Chinese collectors association, such a body, mainly community of Chinese collectors association, the regular of the Ministry of Civil Affairs, is a normal industry association, is mainly responsible for the collection.

Ceramic collection is a big concept. Ceramic collection only accounts for the whole collection team in China. There is an incomplete statistics, which shows that there are 90 million to 120 million people in the whole collection team. In this collection of more than 50 million ceramics are divided into two large pieces, the first piece is ancient, the second piece is modern, from October 1949 near, and then the Republic of China, this is modern. How much does this account for now? Not necessarily accurate, because we are make ceramic collection, collection of ceramic throughout all the provinces to understand the market situation, about 25% ~ 35%, and a lot of people gradually to classical also very interested in art ceramics, especially some classic trend, including all previous auctions, there are a lot of collectors in some real classical collection. A valuable work of art representing a high level of contemporary art.

In this art group, we have visited quite a number of teachers and masters, and also done a lot of discussion and research. According to the overall situation, especially now, our ceramic committee has put forward a concept, which is four words: rational collection. To the rational, not blind, also not impetuous collection, to the rational, a society began to rationalize, in such a big atmosphere, how ceramic rational collection, we have the following aspects:

Ceramics is a work of art, expressed in the way of ceramics, ceramics collection we are particularly modern, we consider whether it has the value of collection, that is conditional. So from the collection point of view, the first is rational, the second we on the premise of rational, introduced two characters, the high-quality goods, when you go to the road of high-quality goods, because now do ceramics, the production, the creation, production, the origin is very much, but many of which we divided into four levels, high, medium, low, fall, real senior high level from the theoretical level. From practical experience to the creation of ideas and artistic language of these ceramics, this is a classic. The middle is the middle, and the down.

On this basis, that is to say to launch to move towards the road of high-quality goods, must be fine. Fine works in which we mainly consider ten aspects, can reflect the work is not fine, consistent with the collection value, because this collection is not three years, hundreds of years, thousands of years may be. Today, talked about the work that is the time of the occurrence of the cultural revolution, these things in our whole ceramic collection standard, is a, is chairman Mao's cultural revolution of China, although only ten years, but it represents the era, represents the particularity of the era of political, such work you in collection by one hundred, and one thousand representative. This is called theme outstanding, representative work.

On the other hand, now these artists engage in so many ceramic creation, we can identify your work from ten aspects is not high-quality, the first, creative new. Second, strong representativeness. What do you represent when you make this thing, representing an era? Representing a conference? Represents an event? Represents a phase. Third, the use of materials is exquisite. Since it is a high-quality product, the use of materials must be exquisite. The materials we refer to include water and the water used for painting are different.

Fourth, is the craft, the craft must be exquisite, exquisite to what extent? It's amazing. What is the reason? If you look at ancient works, it's basically these four words.

The fifth, modeling fresh. God shape both, smooth, can not have the slightest craftsmanship. Solid and cultural connotation and is a total of ten, there to see any one can tell yourself, can you do a fair death honors the whole life, we in the two national conference, the two is the road of high-quality goods, the theme of the conference in modern and contemporary, because our country ceramics of the Chinese nation the development go to today, have tens of thousands of years, it should be said that is not five thousand. It started in Tao. We are going to hold an academic forum on ancient China at the end of this year, and there will be an evening party. It has to be collectible, even if it's made once a year, it has collectible value. Why is it high-quality products, get social recognition, who saw is never tired of seeing, have its artistic quality, appreciation.

Then from the ceramic board, our point of view of ten, five years, those five years to do a lot of research, probably as a formal industry standards came out at the end of this year, we are interested in, you can contact with us, then give out our criteria, we improved, such as should be one month later. We have another activity here on August 6th, from August 6th to August 10th, the opening ceremony and forum of Ding porcelain. everyone is welcome to attend, it should be a deep level, some of the old gentlemen are more than 80 years old, if we don't ask them to speak, the chance is limited. Thank you very much.

Wang Shan: Mr. Shen has talked a lot just now. We should have a special session for him. Just now, Comrade Cao Chi came to a note. At the end of the seminar, I would like to express my feelings. Which of you two would like to talk about it?

Cao Chi: All very happy today is my first exhibition, I was in a large and small each exhibition and has more than 40 series, are also exhibited at home and abroad, this time make me very moved and my heart is very shocked, just like you just said is praise more, this time to hear experts, professors, teachers, elders, the President of encouragement to us at the same time. Also give Suggestions and comments are very, very much, I write it down, go back to the good thinking, and to practice, I am a agent, can put my thoughts, and the Suggestions in our master, deeply understand, ceramic is actually a very deep culture, more learn more practice more feel very shallow, more and more think you know enough. So I want to be in the original technique innovation, has won the national patent further carry forward, on the basis of further study in the theory, the third in practice but also learn from teachers, and to the point of view of innovation, the combination of the east of the west culture, thank you very much, gratitude is not with words, at heart, grateful thank you, thank you.

Huang Zhiwei: There are also two people who are very moved. Culture should improve itself, so that artworks can have vitality. So today, I can boldly say that I have been an artist for more than 30 years. There is also one of the most important "line plastic" techniques that I have obtained the national development patent. This is the first time that I have received such high-level experts' review, so I say that I have absorbed a lot. Thank you very much.

Wang Shan: Various scholars and experts and teachers, thank you very much today we participating actively participate in the academic seminars, as a host, in principle, there should be a late in workshop, the end of the academic truly, truly, but today no more time to do the academic discussion, but I believe everyone here experts, scholars and teachers of this exhibition has a regret. There will be an academic point of view and academic summary in their own connotation, so I will give you the thinking of this work.

In this appeal to the development of arts and crafts and the creation of art, as well as the creation and sustainability of production, education and research are inseparable from all the experts, scholars, teachers and practice workers present, I look forward to all of you join hands to create a brilliant cause of arts and crafts, thank you. Our exhibition and academic discussion here are mainly for spiritual enjoyment. In fact, it is unnecessary for me to say any more words. It should be for material enjoyment.

Mr. Zhao: Today, the opening ceremony of the seminar has come to a very successful end. On behalf of the Ceramic Art Museum of Junior High School, I would like to thank all the experts and leaders, as well as my friends. This Ceramic Art Museum of Junior High School will always be a good platform for you to build. 'm sorry to delay you to have dinner today. We have prepared a simple lunch. Please move to the restaurant on the second floor.